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Runtime: 129 mins
Rating: PG
Disney's "Beauty and the Beast" is a live-action re-telling of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs. "Beauty and the Beast" is the fantastic journey of Belle, a bright, beautiful and independent young woman who is taken prisoner by a beast in his castle. Despite her fears, she befriends the castle's enchanted staff and learns to look beyond the Beast's hideous exterior and realize the kind heart and soul of the true Prince within. The film stars: Emma Watson as Belle; Dan Stevens as the Beast; Luke Evans as Gaston, the handsome, but shallow villager who woos Belle; Oscar winner Kevin Kline as Maurice, Belle's eccentric, but lovable father; Josh Gad as Lefou, Gaston's long-suffering aide-de-camp; Golden Globe nominee Ewan McGregor as Lumiere, the candelabra; Oscar nominee Stanley Tucci as Maestro Cadenza, the harpsichord; Gugu Mbatha-Raw as Plumette, the feather duster; six-time Tony Award winner Audra McDonald as Madame Garderobe, the wardrobe; Oscar nominee Ian McKellen as Cogsworth, the mantel clock; and two-time Academy Award winner Emma Thompson as the teapot, Mrs. Potts.
Runtime: 129 mins
Rating: PG
Disney's "Beauty and the Beast" is a live-action re-telling of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs. "Beauty and the Beast" is the fantastic journey of Belle, a bright, beautiful and independent young woman who is taken prisoner by a beast in his castle. Despite her fears, she befriends the castle's enchanted staff and learns to look beyond the Beast's hideous exterior and realize the kind heart and soul of the true Prince within. The film stars: Emma Watson as Belle; Dan Stevens as the Beast; Luke Evans as Gaston, the handsome, but shallow villager who woos Belle; Oscar winner Kevin Kline as Maurice, Belle's eccentric, but lovable father; Josh Gad as Lefou, Gaston's long-suffering aide-de-camp; Golden Globe nominee Ewan McGregor as Lumiere, the candelabra; Oscar nominee Stanley Tucci as Maestro Cadenza, the harpsichord; Gugu Mbatha-Raw as Plumette, the feather duster; six-time Tony Award winner Audra McDonald as Madame Garderobe, the wardrobe; Oscar nominee Ian McKellen as Cogsworth, the mantel clock; and two-time Academy Award winner Emma Thompson as the teapot, Mrs. Potts.
Rating: LIVE
Brett Dean Hamlet Be part of a major new operatic work – join us for the world premiere of Brett Dean’s new opera based on Shakespeare’s best-known tragedy. Brett Dean’s colourful, energetic, witty and richly lyrical music expertly captures the modernity of this timeless tale, while Matthew Jocelyn’s libretto is pure Shakespeare. A cast of some of the finest singing actors of the moment will bring Hamlet to life. British tenor and Glyndebourne favourite Allan Clayton will play Hamlet. British mezzo-soprano Sarah Connolly will play Gertrude and Canadian soprano Barbara Hannigan will make her Glyndebourne debut as Ophelia. Legendary British bass John Tomlinson plays The Ghost of Old Hamlet. Hamlet will be conducted by Vladimir Jurowski, Glyndebourne’s former Music Director. Neil Armfield has directed numerous productions for Opera Australia, including their first full-length presentation of The Ring Cycle. He is the director of the acclaimed films Candy and Holding the Man. ‘The themes of life and death, love and betrayal have opera written all over them.’ —Brett Dean, Composer
Rating: AS LIVE
Mozart La clemenza di Tito Spurned by Tito, Vitellia seeks revenge. Besotted Sesto agrees to avenge her as a token of his love, but all does not go to plan. A brand new take on one of Mozart’s final works. Vitellia’s path to the throne is thwarted by the man who deposed her father, so she presses her admirer Sesto to murder him. Driven by love, Sesto does his worst. But in return, receives a lesson in forgiveness. Conducted by Robin Ticciati and directed by Claus Guth, Mozart’s opera delivers all of the sublime musical beauty and heart-tugging humanity we expect of him. Loosely based on the life of the Roman Emperor Titus, La clemenza di Tito distills the suspense of Don Giovanni, the warmth of The Marriage of Figaro, and the nobility of The Magic Flute into one powerful parable of love and friendship, vengeance and mercy. Australian tenor Steve Davislim makes his Glyndebourne debut as Tito, with Alice Coote as Vitellia and Kate Lindsey as Sesto. Sung in Italian with English supertitles. Also on screen this summer: a timeless production of La traviata (captured live in 2014) and Brett Dean’s brand new Shakespeare-inspired opera, Hamlet (live).
Rating: AS LIVE
Verdi La traviata Violetta gives up every hope of happiness in this heart-wrenching love story. With its world-famous arias, La traviata is the perfect introduction to Glyndebourne. Alfredo, a young man from the provinces, falls in love with Violetta, the stylish toast of Paris. But she’s not the marrying kind – at least not until now. However, their dreams are threatened by both a merciless society that condemns Violetta’s racy past and an equally merciless disease. There’s rarely a dry eye in the house when this poignant tale unfolds through Verdi’s robust, tuneful, full-hearted and full-throated score, laced through with melodies as familiar as the story. Russian soprano Venera Gimadieva portrays the iconic role of Violetta, alongside American tenor Michael Fabiano as Alfredo. The visual beauty of Tom Cairns’s opulent production aptly echoes the irresistible allure of this beloved opera. ‘With a team this thrilling and a production so intelligent, Glyndebourne has a sure-fire hit on its hands.’ 5 Stars – The Observer Captured live in 2014. Sung in Italian with English subtitles. Also on screen this summer: Brett Dean’s brand new Shakespeare-inspired opera, Hamlet (live) and a new production of Mozart’s La clemenza di Tito (live).
Runtime: 145 mins
Rating: LIVE
La Bohème is one of the most famous of Giacomo Puccini’s operas. The classical essence of this opera is expressed by its intense melodic lyrics, original and refined harmony, instrumental light feel and nuances which are all unmistakable and unique.
Runtime: 225 mins
Rating: AS LIVE 15
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Runtime: 225 mins
Rating: AS LIVE 15
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Runtime: 120 mins
Rating: TBC
Jude Law (The Young Pope, Closer, The Talented Mr Ripley) stars in the stage production of Obsession, broadcast live from the Barbican Theatre in London. Ivo van Hove (NT Live: A View from the Bridge, Hedda Gabler) directs this new stage adaptation of Luchino Visconti’s 1943 film.

Gino is a drifter, down-at-heel and magnetically handsome. At a road side restaurant he encounters husband and wife, Giuseppe and Giovanna. Irresistibly attracted to each other, Gino and Giovanna begin a fiery affair and plot to murder her husband. But, in this chilling tale of passion and destruction, the crime only serves to tear them apart.

The stage production of Obsession is produced by Barbican Theatre Productions Limited, London and Toneelgroep Amsterdam; co-commissioned by Wiener Festwochen and Les Théâtres de la Ville de Luxembourg; co-produced by Holland Festival and David Binder Productions; and supported by the Embassy of the Kingdom of the Netherlands.

Runtime: 170 mins
Rating: TBC
'Spellbindingly imaginative. A dazzling production.' Radio Times All children, except one, grow up… Captured live at the National Theatre, a recorded performance of JM Barrie's much-loved tale screens in cinemas this summer. When Peter Pan, leader of the Lost Boys, loses his shadow, headstrong Wendy helps him to reattach it. In return, she is invited to Neverland, where Tinker Bell the fairy, Tiger Lily and the vengeful Captain Hook await. A riot of magic, music and make-believe ensues. A delight for children and adults alike, Sally Cookson (NT Live: Jane Eyre) directs this wondrously inventive production, a co-production with Bristol Old Vic theatre. NOTE: This event was recorded live in front of an audience. It is not a live broadcast.
Runtime: 200 mins
Rating: LIVE
Daniel Radcliffe (Harry Potter, The Woman in Black), Joshua McGuire (The Hour) and David Haig (Four Weddings and a Funeral, The Witness for the Prosecution) star in Tom Stoppard’s brilliantly funny situation comedy, broadcast live from The Old Vic theatre in London. David Leveaux's new production marks the 50th anniversary of the play that made a young Tom Stoppard's name overnight. Against the backdrop of Hamlet, two hapless minor characters, Rosencrantz and Guildenstern, take centre stage. As the young double act stumble their way in and out of the action of Shakespeare’s iconic drama, they become increasingly out of their depth as their version of the story unfolds.
Runtime: 200 mins
Rating: LIVE
The story has been told before, but never like this. An occupied desert nation. A radical from the wilderness on hunger strike. A girl whose mysterious dance will change the course of the world. This charged retelling turns the infamous biblical tale on its head, placing the girl we call Salomé at the centre of a revolution. Internationally acclaimed theatre director Yaël Farber (Les Blancs) draws on multiple accounts to create her urgent, hypnotic production which will be broadcast live from the stage of the National Theatre. 'Epic. A near-perfect production.' Guardian (on Les Blancs ) NOTE: This performance may contain nudity.
Runtime: 210 mins
Rating: LIVE 12A
Tamsin Greig is Malvolia in a new twist on Shakespeare’s classic comedy of mistaken identity.

A ship is wrecked on the rocks. Viola is washed ashore but her twin brother Sebastian is lost. Determined to survive on her own, she steps out to explore a new land. So begins a whirlwind of mistaken identity and unrequited love.

The nearby households of Olivia and Orsino are overrun with passion. Even Olivia's upright housekeeper Malvolia is swept up in the madness. Where music is the food of love, and nobody is quite what they seem, anything proves possible.

Simon Godwin (NT Live: Man and Superman, NT Live: The Beaux’ Stratagem) directs this joyous new production with Tamsin Greig (Friday Night Dinner, Black Books, Episodes) as a transformed Malvolia and an ensemble cast that includes Daniel Rigby (Flowers, Jericho), Tamara Lawrence (Undercover), Doon Mackichan (Smack the Pony) and Daniel Ezra (The Missing, Undercover).

Runtime: 210 mins
Rating: LIVE 12A
In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

‘Imelda Staunton is at her magnificent best. A first-rate revival of an astonishing play.’ The Guardian ‘Conleth Hill is superb. Exquisite.’ Evening Standard ‘Luke Treadaway and Imogen Poots are terrific.’ Metro ‘James Macdonald’s blistering production. Intoxicatingly good.’ Financial Times
Runtime: 120 mins
Rating: LIVE
The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone's radical production of Lorca's achingly powerful masterpiece. The unmissable theatre phenomenon sold out at the Young Vic and critics call it 'an extraordinary theatrical triumph' (The Times) and 'stunning, searing, unmissable' (Mail on Sunday). Billie Piper's lead performance is described as 'spellbinding' (The Evening Standard), 'astonishing' (iNews) and 'devastatingly powerful' (The Daily Telegraph). Set in contemporary London, Piper's portrayal of a woman in her thirties desperate to conceive builds with elemental force to a staggering, shocking, climax. Please note that this broadcast does not have an interval. "Brutal yet ferociously funny", Metro "Billie Piper makes a shattering Yerma in Simon Stone's inspired reworking of Lorca", The Observer "A shatteringly powerful reinvention of a familiar classic", The Independent
Runtime: 106 mins
Rating: 12A
Saban's Power Rangers follows five ordinary high school kids who must become something extraordinary when they learn that their small town of Angel Grove – and the world – is on the verge of being obliterated by an alien threat. Chosen by destiny, our heroes quickly discover that they are the only ones who can save the planet. But to do so they will have to overcome their real-life issues and band together as the Power Rangers before it is too late.
Rating: LIVE
Following Caesar's assassination and his own rise to power, Mark Antony chooses a life of decadent seduction with Cleopatra, Queen of Egypt, where his military brilliance deserts him and his passion leads the lovers to their tragic end.
Rating: LIVE
Julius Caesar begins the Roman series, with the politics of spin and betrayal turning to violence in a race to claim the empire, after the all-conquering Caesar returns from war.
Rating: LIVE
The decay of Rome reaches violent depths in Shakespeare’s most bloody play.
Titus is a ruler exhausted by war and loss, who relinquishes power but leaves Rome in disorder. Rape, cannibalism and severed body parts fill the moral void at the heart of this corrupt society.
Shakespeare’s gory revenge tragedy presents us with murder as entertainment, and, as the body count piles up, poses questions about the nature of sexuality, family, class and society.
Rating: LIVE
A full-throttle war play that revels in the sweat of the battlefield, Coriolanus transports us back to the emergence of the republic of Rome.

Caius Martius Coriolanus is a fearless soldier but a reluctant leader. His ambitious mother attempts to carve him a path to political power, but he struggles to change his nature and do what is required to achieve greatness. In this new city state struggling to find its feet, where the gap between rich and poor is widening every day, Coriolanus must decide who he really is and where his allegiances lie.

Rome Season Director, Angus Jackson, completes the Royal Shakespeare Company’s collection of Shakespeare’s Roman plays with a visceral production which sees Sope Dirisu (One Night in Miami, Donmar Warehouse, 2016) take on the title role.
Rating: LIVE
'I am all the daughters of my father's house, And all the brothers too.'

Twelfth Night is a tale of unrequited love – hilarious and heartbreaking. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister...

Christopher Luscombe, Director of the ‘glorious’ (Daily Telegraph) Love’s Labour’s Lost and Much Ado About Nothing (2014 and 2016), returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, a brilliantly bittersweet account of "the whirligig of time".

Runtime: 135 mins
Rating: PG
A sparkling tale of magic and mischief, Coppélia has everything a good story ballet should: a touch of enchantment, a dash of romance and masses of sumptuous costumes.

Swanilda and her merry boyfriend Franz live in a village with Dr Coppelius, a sinister magician and inventor who has created a beautiful doll that he sits on his balcony. One day Franz sees the doll, Coppélia, and becomes infatuated with her. Swanilda and her friends decide to explore Dr Coppelius' house while he is out to see who the mysterious woman is, but he returns suddenly and Swanilda hides – pretending to be Coppélia. At the same time, the love struck Franz finds a ladder and climbs into Dr Coppelius' house, who plans to steal his life force to animate his doll, pours Frank a drink with a sleeping draught in it. When Franz passes out, Coppelius brings out Coppélia so Swanilda pretends to be a doll coming to life. Coppelius is delighted – until Swanilda manages to wake Franz and they escape from the house and are married, sealing their love with a tender pas de deux. Sorcery and masquerade, romance and high jinks – this is the funniest, sunniest ballet you’ll see all year.

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