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Runtime: 160 mins
Rating: U
Known to millions as ‘The King of Waltz’, André Rieu is one of the world’s most popular music artists. His legendary annual Maastricht concert is the most eagerly anticipated cinema event of the year, last year setting new box office records in several countries. Set against the stunning medieval backdrop of the town square in André’s Dutch hometown, the spectacular Maastricht concert features the maestro in his element, along with his 60-piece Johann Strauss Orchestra, sopranos, tenors and very special guests. André delivers an unforgettable musical experience full of humor, fun and emotion for all ages. This presentation of André Rieu’s 2017 Maastricht Concert in Cinemas features host Charlotte Hawkins, who conducts an interview with André Rieu the moment he steps off stage, exclusively for cinema audiences. This year is a very special year because it is exactly 30 years ago that André Rieu started his Johann Strauss Orchestra in his home town of Maastricht. From a small group of musicians rehearsing in the classroom of André’s son’s primary school to stadiums and concert halls around the world - what a journey it has been! Take a front row seat and experience this spectacular musical event on the big screen. Enjoy backstage access, interviews with André and his special guests, musical favourites and much, much more, exclusive to cinema. For a truly unforgettable cinematic experience, please join André and his Orchestra in their hometown of Maastricht for 2 days only on Saturday 22nd and Sunday 23rd July at the ‘2017 Maastricht Concert’ to ‘Celebrate 30 years of André and his Johann Strauss Orchestra’
Runtime: 96 mins
Rating: U
Balthazar Bratt, a former child star who's grown up to become obsessed with the character he played in the 80's, proves to be Gru's most formidable nemesis to date.
Runtime: 96 mins
Rating: U
Balthazar Bratt, a former child star who's grown up to become obsessed with the character he played in the 80's, proves to be Gru's most formidable nemesis to date.
Rating: LIVE 12A
Brett Dean Hamlet Be part of a major new operatic work – join us for the world premiere of Brett Dean’s new opera based on Shakespeare’s best-known tragedy. Brett Dean’s colourful, energetic, witty and richly lyrical music expertly captures the modernity of this timeless tale, while Matthew Jocelyn’s libretto is pure Shakespeare. A cast of some of the finest singing actors of the moment will bring Hamlet to life. British tenor and Glyndebourne favourite Allan Clayton will play Hamlet. British mezzo-soprano Sarah Connolly will play Gertrude and Canadian soprano Barbara Hannigan will make her Glyndebourne debut as Ophelia. Legendary British bass John Tomlinson plays The Ghost of Old Hamlet. Hamlet will be conducted by Vladimir Jurowski, Glyndebourne’s former Music Director. Neil Armfield has directed numerous productions for Opera Australia, including their first full-length presentation of The Ring Cycle. He is the director of the acclaimed films Candy and Holding the Man. ‘The themes of life and death, love and betrayal have opera written all over them.’ —Brett Dean, Composer
Rating: LIVE 12A
Mozart La clemenza di Tito Spurned by Tito, Vitellia seeks revenge. Besotted Sesto agrees to avenge her as a token of his love, but all does not go to plan. A brand new take on one of Mozart’s final works. Vitellia’s path to the throne is thwarted by the man who deposed her father, so she presses her admirer Sesto to murder him. Driven by love, Sesto does his worst. But in return, receives a lesson in forgiveness. Conducted by Robin Ticciati and directed by Claus Guth, Mozart’s opera delivers all of the sublime musical beauty and heart-tugging humanity we expect of him. Loosely based on the life of the Roman Emperor Titus, La clemenza di Tito distills the suspense of Don Giovanni, the warmth of The Marriage of Figaro, and the nobility of The Magic Flute into one powerful parable of love and friendship, vengeance and mercy. Australian tenor Steve Davislim makes his Glyndebourne debut as Tito, with Alice Coote as Vitellia and Kate Lindsey as Sesto. Sung in Italian with English supertitles. Also on screen this summer: a timeless production of La traviata (captured live in 2014) and Brett Dean’s brand new Shakespeare-inspired opera, Hamlet (live).
Runtime: 145 mins
Rating: LIVE 12A
La Bohème is one of the most famous of Giacomo Puccini’s operas. The classical essence of this opera is expressed by its intense melodic lyrics, original and refined harmony, instrumental light feel and nuances which are all unmistakable and unique.
Runtime: 180 mins
Rating: LIVE 12A
Ben Whishaw (The Danish Girl, Skyfall, Hamlet) and Michelle Fairley (Fortitude, Game of Thrones) play Brutus and Cassius, David Calder (The Lost City of Z, The Hatton Garden Job) plays Caesar and David Morrissey (The Missing, Hangmen, The Walking Dead) is Mark Antony. Broadcast live from The Bridge Theatre, London. Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.
Runtime: 220 mins
Rating: LIVE 12A
Rory Kinnear (The Threepenny Opera, Penny Dreadful, Othello) is Marx and Oliver Chris (Twelfth Night, Green Wing) is Engels, in this new comedy written by Richard Bean and Clive Coleman. Broadcast live from The Bridge Theatre, London, the production is directed by Nicholas Hytner and reunites the creative team behind Broadway and West End hit comedy One Man, Two Guvnors. 1850, and Europe’s most feared terrorist is hiding in Dean Street, Soho. Broke, restless and horny, the thirty-two-year-old revolutionary is a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy. Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there’s still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.
Runtime: 225 mins
Rating: AS LIVE 15
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Runtime: 225 mins
Rating: AS LIVE 15
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Runtime: 120 mins
Rating: AS LIVE 15
The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone's radical production of Lorca's achingly powerful masterpiece. The unmissable theatre phenomenon sold out at the Young Vic and critics call it 'an extraordinary theatrical triumph' (The Times) and 'stunning, searing, unmissable' (Mail on Sunday). Billie Piper's lead performance is described as 'spellbinding' (The Evening Standard), 'astonishing' (iNews) and 'devastatingly powerful' (The Daily Telegraph). Set in contemporary London, Piper's portrayal of a woman in her thirties desperate to conceive builds with elemental force to a staggering, shocking, climax. Please note that this broadcast does not have an interval. "Brutal yet ferociously funny", Metro "Billie Piper makes a shattering Yerma in Simon Stone's inspired reworking of Lorca", The Observer "A shatteringly powerful reinvention of a familiar classic", The Independent
Rating: LIVE
The decay of Rome reaches violent depths in Shakespeare’s most bloody play.
Titus is a ruler exhausted by war and loss, who relinquishes power but leaves Rome in disorder. Rape, cannibalism and severed body parts fill the moral void at the heart of this corrupt society.
Shakespeare’s gory revenge tragedy presents us with murder as entertainment, and, as the body count piles up, poses questions about the nature of sexuality, family, class and society.
Rating: LIVE
A full-throttle war play that revels in the sweat of the battlefield, Coriolanus transports us back to the emergence of the republic of Rome.

Caius Martius Coriolanus is a fearless soldier but a reluctant leader. His ambitious mother attempts to carve him a path to political power, but he struggles to change his nature and do what is required to achieve greatness. In this new city state struggling to find its feet, where the gap between rich and poor is widening every day, Coriolanus must decide who he really is and where his allegiances lie.

Rome Season Director, Angus Jackson, completes the Royal Shakespeare Company’s collection of Shakespeare’s Roman plays with a visceral production which sees Sope Dirisu (One Night in Miami, Donmar Warehouse, 2016) take on the title role.
Rating: LIVE
'I am all the daughters of my father's house, And all the brothers too.'

Twelfth Night is a tale of unrequited love – hilarious and heartbreaking. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister...

Christopher Luscombe, Director of the ‘glorious’ (Daily Telegraph) Love’s Labour’s Lost and Much Ado About Nothing (2014 and 2016), returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, a brilliantly bittersweet account of "the whirligig of time".

Runtime: 107 mins
Rating: 15
Thought safely entombed in a crypt deep beneath the unforgiving desert, an ancient queen (Sofia Boutella of Kingsman: The Secret Service and Star Trek Beyond) whose destiny was unjustly taken from her, is awakened in our current day, bringing with her malevolence grown over millennia and terrors that defy human comprehension. From the sweeping sands of the Middle East through hidden labyrinths under modern-day London, The Mummy brings a surprising intensity and balance of wonder and thrills in an imaginative new take that ushers in a new world of gods and monsters.
Runtime: 149 mins
Rating: 12A
Optimus Prime finds his home planet, Cybertron, now a dead planet, in which he comes to find he was responsible for killing. He finds a way to bring the planet back to life, but in order to do so, he needs to find an artifact, which is on Earth.
Runtime: 149 mins
Rating: 12A
Optimus Prime finds his home planet, Cybertron, now a dead planet, in which he comes to find he was responsible for killing. He finds a way to bring the planet back to life, but in order to do so, he needs to find an artifact, which is on Earth.
Runtime: 133 mins
Rating: 12A
Before she was Wonder Woman, she was Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, when an American pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers... and her true destiny.

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